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Cod. da imagem: HISL045_EC635
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC635

Crédito: Everett / Fotoarena

THE THINKER: PORTRAIT OF LOUIS N. CANTON, by Thomas Eakins, 1900, American painting, oil on canvas. Louis N. Kenton, Eakins brother-in-law posed for this work, which employs compositional structure and colors similar to those of Spanish Baroque painter Velasquez (BSLOC_2017_11_123)

Editorial RM


Cod. da imagem: HISL045_EC631
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC631

Crédito: Everett / Fotoarena

THE WRITING MASTER, by Thomas Eakins, 1882, American painting, oil on canvas. The artists father, is copying a document in an old-fashioned copperplate script. (BSLOC_2017_11_119)

Editorial RM


Cod. da imagem: HISL045_EC632
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC632

Crédito: Everett / Fotoarena

ARCADIA, by Thomas Eakins, 1883, American painting, oil on canvas. Realist painter Eakins used a lantern to project photographic images onto the canvas, assist his placement of the figures in the landscape. Susan Macdowell, the artist?s future wife, modeled for the female figure at far left (BSLOC_2017_11_120)

Editorial RM


Cod. da imagem: HISL045_EC633
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC633

Crédito: Everett / Fotoarena

THE ARTIST WIFE AND HIS SETTER DOG, by Thomas Eakins, c. 1884-89, American painting, oil on canvas. Eakins portrait of his wife and his former student, Susan Hannah Macdowell, who was also painter and photographer (BSLOC_2017_11_121)

Editorial RM


Cod. da imagem: HISL045_EC634
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC634

Crédito: Everett / Fotoarena

COWBOY SINGING, by Thomas Eakins, 1892, American watercolor painting. Eakins student, Franklin Schenck posed in cowboys fringed buckskin suit for this watercolor, a study for an oil painting (BSLOC_2017_11_122)

Editorial RM


Cod. da imagem: HISL045_EC320
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC320

Crédito: Everett / Fotoarena

THE DEATH OF SOCRATES, by Jacques Louis David, 1787, French Neoclassical painting, oil on canvas. Greek Classical philosopher Socrates about to drink poison hemlock as the price of maintaining his beliefs. Most of his disciples are grieving, except for the meditative Plato seated on left. Apollodorus, is behind Plato, leaning against the wall while Crito grasps Socratess thigh (BSLOC_2017_9_145)

Editorial RM


Cod. da imagem: HISL045_EC629
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC629

Crédito: Everett / Fotoarena

THE CHESS PLAYERS, by Thomas Eakins, 1876, American painting, oil on wood. The artist?s father, Benjamin Eakins, watches a chess game between two friends, in a parlor of a Philadelphia home (BSLOC_2017_11_117)

Editorial RM


Cod. da imagem: HISL045_EC630
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC630

Crédito: Everett / Fotoarena

THE DANCING LESSON, NEGRO BOY DANCING, by Thomas Eakins, 1878, American watercolor painting. An African American boy dances to the music of a banjo player, while an elderly man watches. On the wall is a photograph of Abraham Lincoln and his son Tad (BSLOC_2017_11_118)

Editorial RM


Cod. da imagem: HISL045_EC404
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC404

Crédito: Everett / Fotoarena

THE LAUNDRESS, by Honore Daumier, 1863, French painting, oil on wood. The setting of this painting was visible from Daumiers studio on the quai dAnjou in Paris. A burdened laundress helps her child up the steps. Her form silhouetted against a bright background of the south bank of the Seine (BSLOC_2017_9_99)

Editorial RM


Cod. da imagem: HISL045_EC317
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC317

Crédito: Everett / Fotoarena

RED SUNSET ON THE DNIEPER, by Arkhip Ivanovich Kuindzhi, 1905-08, Russian painting, oil on canvas. Intense red sunset over the banks of the Dnieper, a river that rises west of Moscow, flowing through the Ukraine into the Black Sea. The dark shapes in the foreground are of thatched-roof huts (BSLOC_2017_9_142)

Editorial RM


Cod. da imagem: HISL045_EC318
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC318

Crédito: Everett / Fotoarena

PAROCHIALSTRASSE IN BERLIN, by Eduard Gaertner, 1831, German painting, oil on canvas. Gaertner specialized in architectural painting in which he possibly used a camera obscura to compose. Rich with details, it includes street workers, drains, shop signs, dogs, foot, and carriage traffic. In the 1830s he enjoyed Royal patronage and flourished (BSLOC_2017_9_143)

Editorial RM


Cod. da imagem: HISL045_EC319
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC319

Crédito: Everett / Fotoarena

COLUMNS OF THE TEMPLE OF NEPTURE AT PAESTUM, by Constantin Hansen, 1838, Danish oil painting. Hansen painted the 6th century BCE Greek complex at Paestum, Italy. This view is from the interior of the Temple of Neptune, with its fluted Doric columns framing the distant Temple of Athena (BSLOC_2017_9_144)

Editorial RM


Cod. da imagem: HISL045_EC625
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC625

Crédito: Everett / Fotoarena

HIBISCUS AND PARROTS, by Tiffany Studios, 1910-20, American stained glass. This decorative window was probably made for a private home (BSLOC_2017_11_113)

Editorial RM


Cod. da imagem: HISL045_EC626
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC626

Crédito: Everett / Fotoarena

CARMELITA REQUENA, by Thomas Eakins, 1869, American painting, oil on canvas. This portrait sketch of Carmelita Requena, the seven-year-old daughter of street performers, was made in Seville, Spain. Eakins had studied in Paris with Leon Bonnat, who espoused the work of the Spanish Baroque painters Velazquez and Ribera (BSLOC_2017_11_114)

Editorial RM


Cod. da imagem: HISL045_EC627
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC627

Crédito: Everett / Fotoarena

MAX SCHMIDT IN A SINGLE SCULL, by Thomas Eakins, 1871, American painting, oil on canvas. Subtitled, THE CHAMPION SINGLE SCULLS. Max Schmitt was a Philadelphia attorney and amateur rower, won a race on the Schuylkill River in October 1870 (BSLOC_2017_11_115)

Editorial RM


Cod. da imagem: HISL045_EC628
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC628

Crédito: Everett / Fotoarena

JOHN BIGLIN IN A SINGLE SCULL, by Thomas Eakins, 1873, American watercolor painting. John Biglin was a superstar, unmatched as a single sculler who raced on Philadelphias Schuylkill River in 1872. To place the reflections accurately in the water, Eakins made detailed preliminary perspective drawings (BSLOC_2017_11_116)

Editorial RM


Cod. da imagem: HISL045_EC401
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC401

Crédito: Everett / Fotoarena

THE MUSE: HISTORY, by Camille Corot, 1865, French painting, oil on canvas. The naturalistic figure is painted with simple rustic garments. The model for this work may have been Emma Dobigny, who often sat for Corot in the 1860s (BSLOC_2017_9_95)

Editorial RM


Cod. da imagem: HISL045_EC402
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC402

Crédito: Everett / Fotoarena

A WOMAN READING, by Camille Corot, 1869-70, French painting, oil on canvas. This was the first figure painting Corot exhibited at the Paris Salon, when he was an established and esteemed artist (BSLOC_2017_9_96)

Editorial RM


Cod. da imagem: HISL045_EC403
Crédito: Everett / Fotoarena

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Cod. da imagem: HISL045_EC403

Crédito: Everett / Fotoarena

THE LETTER, by Camille Corot, 1865, French painting, oil on wood. Corot painted this figure with stronger lights and shadow than most for his works (BSLOC_2017_9_97)

Editorial RM


Cod. da imagem: HISL045_EC624
Crédito: Everett / Fotoarena

Direito Controlado


Cod. da imagem: HISL045_EC624

Crédito: Everett / Fotoarena

MAGNOLIAS AND IRISES, by Tiffany Studios, 1908, American stained glass. River of Life theme is crafted in this memorial window installed in a mausoleum in a Brooklyn cemetery (BSLOC_2017_11_112)

Editorial RM
 
 
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