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Cale Music

John Cale performs at the Brooklyn ...
Data da imagem: 19/11/2017
Cod. da imagem: ny191117183612
Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

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John Cale performs at the Brooklyn Academy of Music in New York.

Data da imagem: 19/11/2017

Cod. da imagem: ny191117183612

John Cale performs at the Brooklyn Academy of Music in New York.

Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

John Cale performs at the Brooklyn Academy of Music in New York, Nov. 18, 2017. Cale performed a survey of his post-Velvet Underground work and three new songs. (Nicole Fara Silver/The New York Times/Fotoarena)

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Cale Music

John Cale performs at the Brooklyn ...
Data da imagem: 19/11/2017
Cod. da imagem: ny191117182914
Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

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John Cale performs at the Brooklyn Academy of Music in New York.

Data da imagem: 19/11/2017

Cod. da imagem: ny191117182914

John Cale performs at the Brooklyn Academy of Music in New York.

Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

John Cale and Sky Ferreira perform the Velvet Underground song "I'll Be Your Mirrior" at the Brooklyn Academy of Music in New York, Nov. 18, 2017. Cale performed a survey of his post-Velvet Underground work and three new songs. (Nicole Fara Silver/The New York Times/Fotoarena)

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Cale Music

John Cale performs at the Brooklyn ...
Data da imagem: 19/11/2017
Cod. da imagem: ny191117183415
Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

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John Cale performs at the Brooklyn Academy of Music in New York.

Data da imagem: 19/11/2017

Cod. da imagem: ny191117183415

John Cale performs at the Brooklyn Academy of Music in New York.

Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

John Cale performs at the Brooklyn Academy of Music in New York, Nov. 18, 2017. Cale performed a survey of his post-Velvet Underground work and three new songs. (Nicole Fara Silver/The New York Times/Fotoarena)

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Cale Music

John Cale performs at the Brooklyn ...
Data da imagem: 19/11/2017
Cod. da imagem: ny191117183213
Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

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John Cale performs at the Brooklyn Academy of Music in New York.

Data da imagem: 19/11/2017

Cod. da imagem: ny191117183213

John Cale performs at the Brooklyn Academy of Music in New York.

Crédito: Nicole Fara Silver/ The New York Times/ Fotoarena

John Cale performs at the Brooklyn Academy of Music in New York, Nov. 18, 2017. Cale performed a survey of his post-Velvet Underground work and three new songs. (Nicole Fara Silver/The New York Times/Fotoarena)

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Theater Perfumed Performance

Simon Andre, the stage manager for ...
Data da imagem: 18/11/2017
Cod. da imagem: ny221117192212
Crédito: Dmitry Kostyukov/ The New York Times/ Fotoarena

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Simon Andre, the stage manager for "Festen," installs one of the fans adapted for diffusing scents during performances in Paris

Data da imagem: 18/11/2017

Cod. da imagem: ny221117192212

Simon Andre, the stage manager for "Festen," installs one of the fans adapted for diffusing scents during performances in Paris

Crédito: Dmitry Kostyukov/ The New York Times/ Fotoarena

Simon Andre, the stage manager for "Festen," installs one of the fans adapted for diffusing scents during performances in Paris, Nov. 18, 2017. In collaboration with the French theater director Cyril Teste, the perfumer Francis Kurkdjian helps a new ?Festen? along with scents of woods, ash and memory. (Dmitry Kostyukov/The New York Times/Fotoarena)

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Theater Perfumed Performance

Francis Kurkdjian, the perfumer who ...
Data da imagem: 18/11/2017
Cod. da imagem: ny221117192113
Crédito: Dmitry Kostyukov/ The New York Times/ Fotoarena

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Francis Kurkdjian, the perfumer who created three scents for Cyril Teste’s version of “Festen,” at the play’s set in Paris.

Data da imagem: 18/11/2017

Cod. da imagem: ny221117192113

Francis Kurkdjian, the perfumer who created three scents for Cyril Teste’s version of “Festen,” at the play’s set in Paris.

Crédito: Dmitry Kostyukov/ The New York Times/ Fotoarena

Francis Kurkdjian, the perfumer who created three scents for Cyril Teste?s version of ?Festen,? at the play?s set in Paris, Nov. 18, 2017. The story centers on a 60th birthday party, thrown for the roseate patriarch of a wealthy family. (Dmitry Kostyukov/The New York Times/Fotoarena)

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Holidays Theater

From left: Evynne Hollens, Peter ...
Data da imagem: 17/11/2017
Cod. da imagem: ny221117194513
Crédito: Sara Krulwich/ The New York Times/ Fotoarena

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From left: Evynne Hollens, Peter Hollens, Bianca Ryan, Danny Aiello and Kaitlyn Bristowe in ÒHome for the HolidaysÓ at the August Wilson Theater in New York.

Data da imagem: 17/11/2017

Cod. da imagem: ny221117194513

From left: Evynne Hollens, Peter Hollens, Bianca Ryan, Danny Aiello and Kaitlyn Bristowe in ÒHome for the HolidaysÓ at the August Wilson Theater in New York.

Crédito: Sara Krulwich/ The New York Times/ Fotoarena

From left: Evynne Hollens, Peter Hollens, Bianca Ryan, Danny Aiello and Kaitlyn Bristowe in ÒHome for the HolidaysÓ at the August Wilson Theater in New York, Nov. 17, 2017. Despite the presence of ÒAmerican IdolÓ winner Candice Glover, this limp revue of carols and pop songs isnÕt likely to bring much Yuletide cheer. (Sara Krulwich/The New York Times/Fotoarena)

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Diaspora Theater

Connie Castanzo takes a group selfie ...
Data da imagem: 16/11/2017
Cod. da imagem: ny201117183712
Crédito: Sara Krulwich/ The New York Times/ Fotoarena

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Connie Castanzo takes a group selfie in the play "Diaspora" at the Gym at Judson in New York.

Data da imagem: 16/11/2017

Cod. da imagem: ny201117183712

Connie Castanzo takes a group selfie in the play "Diaspora" at the Gym at Judson in New York.

Crédito: Sara Krulwich/ The New York Times/ Fotoarena

Connie Castanzo takes a group selfie in the play "Diaspora" at the Gym at Judson in New York, Nov. 14, 2017. Toggling between the years 2017 and 73, this play about American Jews on a birthright trip to Israel seems confused about what it is trying to say. (Sara Krulwich/The New York Times/Fotoarena)

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Ny Grand Ole Opry

A dress worn by Taylor Swift, right, ...
Data da imagem: 16/11/2017
Cod. da imagem: ny211117170212
Crédito: Nathan Bajar/ The New York Times/ Fotoarena

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A dress worn by Taylor Swift, right, among other celebrity garments at the Opry City Stage, a new Southern-themed restaurant and concert space, in New York’s Times Square.

Data da imagem: 16/11/2017

Cod. da imagem: ny211117170212

A dress worn by Taylor Swift, right, among other celebrity garments at the Opry City Stage, a new Southern-themed restaurant and concert space, in New York’s Times Square.

Crédito: Nathan Bajar/ The New York Times/ Fotoarena

A dress worn by Taylor Swift, right, among other celebrity garments at the Opry City Stage, a new Southern-themed restaurant and concert space, in New York?s Times Square, Nov. 16, 2017. The Grand Ole Opry, the 92-year-old country music venue in Nashville, is opening the space, with plans to expand in the U.S. and beyond. (Nathan Bajar/The New York Times/Fotoarena)

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Ny Grand Ole Opry

The Opry City Stage, a new ...
Data da imagem: 16/11/2017
Cod. da imagem: ny211117165713
Crédito: Nathan Bajar/ The New York Times/ Fotoarena

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The Opry City Stage, a new Southern-themed restaurant and concert space, in New York’s Times Square.

Data da imagem: 16/11/2017

Cod. da imagem: ny211117165713

The Opry City Stage, a new Southern-themed restaurant and concert space, in New York’s Times Square.

Crédito: Nathan Bajar/ The New York Times/ Fotoarena

The Opry City Stage, a new Southern-themed restaurant and concert space, in New York?s Times Square, Nov. 16, 2017. The Grand Ole Opry, the 92-year-old country music venue in Nashville, is opening the space, with plans to expand in the U.S. and beyond. (Nathan Bajar/The New York Times/Fotoarena)

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Ny Grand Ole Opry

The Opry City Stage, a new ...
Data da imagem: 16/11/2017
Cod. da imagem: ny211117165913
Crédito: Nathan Bajar/ The New York Times/ Fotoarena

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The Opry City Stage, a new Southern-themed restaurant and concert space, in New York’s Times Square.

Data da imagem: 16/11/2017

Cod. da imagem: ny211117165913

The Opry City Stage, a new Southern-themed restaurant and concert space, in New York’s Times Square.

Crédito: Nathan Bajar/ The New York Times/ Fotoarena

The Opry City Stage, a new Southern-themed restaurant and concert space, in New York?s Times Square, Nov. 16, 2017. The Grand Ole Opry, the 92-year-old country music venue in Nashville, is opening the space, with plans to expand in the U.S. and beyond. (Nathan Bajar/The New York Times/Fotoarena)

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Davinci Auction

Leonardo Da Vinci’s “Salvator ...
Data da imagem: 13/11/2017
Cod. da imagem: ny151117194111
Crédito: Benjamin Norman/ The New York Times/ Fotoarena

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Leonardo Da Vinci’s “Salvator Mundi” (Savior of the World) is viewed at Christie’s in Manhattan.

Data da imagem: 13/11/2017

Cod. da imagem: ny151117194111

Leonardo Da Vinci’s “Salvator Mundi” (Savior of the World) is viewed at Christie’s in Manhattan.

Crédito: Benjamin Norman/ The New York Times/ Fotoarena

Leonardo da Vinci?s ?Salvator Mundi? (Savior of the World) is viewed at Christie?s in Manhattan, Nov. 13, 2017. Some 27,000 people on three continents lined up for pre-auction viewings to glimpse the only known painting by the Renaissance master in private hands. The auction was set for the night of Nov. 15. (Benjamin Norman/The New York Times/Fotoarena)

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Davinci Auction

A detail from Leonardo Da Vinci’s ...
Data da imagem: 13/11/2017
Cod. da imagem: ny151117193913
Crédito: Benjamin Norman/ The New York Times/ Fotoarena

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A detail from Leonardo Da Vinci’s “Salvator Mundi” (Savior of the World) at Christie’s in Manhattan.

Data da imagem: 13/11/2017

Cod. da imagem: ny151117193913

A detail from Leonardo Da Vinci’s “Salvator Mundi” (Savior of the World) at Christie’s in Manhattan.

Crédito: Benjamin Norman/ The New York Times/ Fotoarena

A detail from Leonardo da Vinci?s ?Salvator Mundi? (Savior of the World) at Christie?s in Manhattan, Nov. 13, 2017. Some 27,000 people on three continents lined up for pre-auction viewings to glimpse the only known painting by the Renaissance master in private hands. The auction was set for the night of Nov. 15. (Benjamin Norman/The New York Times/Fotoarena)

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Davinci Auction

Leonardo Da Vinci’s “Salvator ...
Data da imagem: 13/11/2017
Cod. da imagem: ny151117194312
Crédito: Benjamin Norman/ The New York Times/ Fotoarena

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Leonardo Da Vinci’s “Salvator Mundi” (Savior of the World) at Christie’s in Manhattan.

Data da imagem: 13/11/2017

Cod. da imagem: ny151117194312

Leonardo Da Vinci’s “Salvator Mundi” (Savior of the World) at Christie’s in Manhattan.

Crédito: Benjamin Norman/ The New York Times/ Fotoarena

Leonardo da Vinci?s ?Salvator Mundi? (Savior of the World) at Christie?s in Manhattan, Nov. 13, 2017. Some 27,000 people on three continents lined up for pre-auction viewings to glimpse the only known painting by the Renaissance master in private hands. The auction was set for the night of Nov. 15. (Benjamin Norman/The New York Times/Fotoarena)

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Operas Exhausted Women

Michaela Martens, left, as Susan B. ...
Data da imagem: 12/11/2017
Cod. da imagem: ny181117003511
Crédito: Lauren Lancaster/ The New York Times/ Fotoarena

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Michaela Martens, left, as Susan B. Anthony and Teresa Buchholz as Anne in Gertrude Stein and Virgil ThomsonÕs ÒThe Mother of Us All,Ó at Hudson Hall in Hudson, N.Y.

Data da imagem: 12/11/2017

Cod. da imagem: ny181117003511

Michaela Martens, left, as Susan B. Anthony and Teresa Buchholz as Anne in Gertrude Stein and Virgil ThomsonÕs ÒThe Mother of Us All,Ó at Hudson Hall in Hudson, N.Y.

Crédito: Lauren Lancaster/ The New York Times/ Fotoarena

Michaela Martens, left, as Susan B. Anthony and Teresa Buchholz as Anne in Gertrude Stein and Virgil ThomsonÕs ÒThe Mother of Us All,Ó at Hudson Hall in Hudson, N.Y., Nov. 12, 2017. The wryly surreal Americana pageant about the struggle for womenÕs suffrage completes a two-weekend run here on Sunday. (Lauren Lancaster/The New York Times/Fotoarena)

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Lincoln Center Programming

Jane Moss, Lincoln Center's artistic ...
Data da imagem: 11/11/2017
Cod. da imagem: ny141117194112
Crédito: Vincent Tullo/ The New York Times/ Fotoarena

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Jane Moss, Lincoln Center's artistic director, speaks with Hanako Yamaguchi, its director of music programming, and Peter Philips, the director of the Tallis Scholars, backstage at Lincoln Center in ...

Data da imagem: 11/11/2017

Cod. da imagem: ny141117194112

Jane Moss, Lincoln Center's artistic director, speaks with Hanako Yamaguchi, its director of music programming, and Peter Philips, the director of the Tallis Scholars, backstage at Lincoln Center in New York.

Crédito: Vincent Tullo/ The New York Times/ Fotoarena

Jane Moss, Lincoln Center's artistic director, speaks with Hanako Yamaguchi, its director of music programming, and Peter Philips, the director of the Tallis Scholars, backstage at Lincoln Center in New York, Nov. 11, 2017. Moss, who revived the center?s Mostly Mozart festival, will take control of all summer programming with the demise of the Lincoln Center Festival. (Vincent Tullo/The New York Times/Fotoarena)

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Lincoln Center Programming

Jane Moss, Lincoln Center's artistic ...
Data da imagem: 11/11/2017
Cod. da imagem: ny141117194212
Crédito: Vincent Tullo/ The New York Times/ Fotoarena

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Jane Moss, Lincoln Center's artistic director, in New York.

Data da imagem: 11/11/2017

Cod. da imagem: ny141117194212

Jane Moss, Lincoln Center's artistic director, in New York.

Crédito: Vincent Tullo/ The New York Times/ Fotoarena

Jane Moss, Lincoln Center's artistic director, in New York, Nov. 11, 2017. Moss, who revived the center?s Mostly Mozart festival, will take control of all summer programming with the demise of the Lincoln Center Festival. (Vincent Tullo/The New York Times/Fotoarena)

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France Harassment

Karima Emtir, left, and Houria Dahmani ...
Data da imagem: 10/11/2017
Cod. da imagem: ny191117181013
Crédito: Dmitry Kostyukov/ The New York Times/ Fotoarena

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Karima Emtir, left, and Houria Dahmani at Gare du Nord in Paris.

Data da imagem: 10/11/2017

Cod. da imagem: ny191117181013

Karima Emtir, left, and Houria Dahmani at Gare du Nord in Paris.

Crédito: Dmitry Kostyukov/ The New York Times/ Fotoarena

Karima Emtir, left, and Houria Dahmani at Gare du Nord in Paris, Nov. 10, 2017. The wave of accusations are resonating as never before, but a culture that permits harassment to go unpunished has long defied change. Even after Emtir, Dahmani and two other female cleaners sued their employer, H. Reinier, a subcontractor working for France?s national rail company, their harasser kept his job while one of the women was fired. (Dmitry Kostyukov/The New York Times/Fotoarena)

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Museum Popup Adv19

Rat Bastards, a pop-up shop curated by ...
Data da imagem: 10/11/2017
Cod. da imagem: ny171117174511
Crédito: Kendrick Brinson/ The New York Times/ Fotoarena

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Rat Bastards, a pop-up shop curated by Lisa Eisner at the Hammer Museum in Los Angeles.

Data da imagem: 10/11/2017

Cod. da imagem: ny171117174511

Rat Bastards, a pop-up shop curated by Lisa Eisner at the Hammer Museum in Los Angeles.

Crédito: Kendrick Brinson/ The New York Times/ Fotoarena

-- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE NOV. 19, 2017. -- Rat Bastards, a pop-up shop curated by Lisa Eisner at the Hammer Museum in Los Angeles, Nov. 10, 2017. The shop is an homage of sorts to the informal club the artist Bruce Conner convened in the 1950s for himself and his friends. (Kendrick Brinson/The New York Times/Fotoarena)

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Museum Popup Adv19

Lisa Eisner, the designer, stylist, ...
Data da imagem: 10/11/2017
Cod. da imagem: ny171117174312
Crédito: Kendrick Brinson/ The New York Times/ Fotoarena

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Lisa Eisner, the designer, stylist, editor, publisher and photographer, with her son Louis Eisner at a famed hot-rod body shop called Mooneyes in Santa Fe Springs, Calif.

Data da imagem: 10/11/2017

Cod. da imagem: ny171117174312

Lisa Eisner, the designer, stylist, editor, publisher and photographer, with her son Louis Eisner at a famed hot-rod body shop called Mooneyes in Santa Fe Springs, Calif.

Crédito: Kendrick Brinson/ The New York Times/ Fotoarena

-- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE NOV. 19, 2017. -- Lisa Eisner, the designer, stylist, editor, publisher and photographer, with her son Louis Eisner at a famed hot-rod body shop called Mooneyes in Santa Fe Springs, Calif., Nov. 10, 2017. Eisner was here to restock items for the latest venture in her eclectic career, a pop-up shop called Rat Bastards at the Hammer Museum in Los Angeles. (Kendrick Brinson/The New York Times/Fotoarena)

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