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At the Milliner's, 1882 (pastel on paper)

Cod. da imagem: XOS3106597
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: XOS3106597

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At the Milliner's, 1882 (pastel on paper), Degas, Edgar (1834-1917) / Museo Thyssen-Bornemisza, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3106600

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The Parc des Lions at Port-Marly, 1872 (oil on canvas), Corot, Jean Baptiste Camille (1796-1875) / Thyssen-Bornemisza Collection, Madrid, Spain / Bridgeman Images

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Heart of the Andes, 1859 (oil on canvas)

Cod. da imagem: XOS3106605
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: XOS3106605

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This picture was inspired by Church's second trip to South America in the spring of 1857., Church, Frederic Edwin (1826-1900), Metropolitan Museum of Art, New York, USA, oil on canvas, 1859, 168x302, Heart of the Andes, 1859 (oil on canvas), Church, Frederic Edwin (1826-1900) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

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Cod. da imagem: XOS3107134

Crédito: Bridgeman/ Fotoarena

Detail of right panel showing Hell, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3107139

Crédito: Bridgeman/ Fotoarena

Detail of right panel showing Hell, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3107153

Crédito: Bridgeman/ Fotoarena

Detail of left panel showing God presenting Eve to Adam in Paradise, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3087108

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The Holy Family with diverse people and animals in a boat from the flight into Egypt., Jordaens, Jacob (1593-1678), Skokloster Castle, Sweden, oil on canvas, 1652, 22x25.4, The Holy Family and others flee into Egypt, 1652 (oil on canvas), Jordaens, Jacob (1593-1678) / Skokloster Castle, Sweden / Bridgeman Images

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Winter Scene, c.1650 (oil on panel)

Cod. da imagem: XOS3087110
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: XOS3087110

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Winter Scene, c.1650 (oil on panel), Steen, Jan Havicksz. (1625/26-79) / Skokloster Castle, Sweden / Bridgeman Images

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Cod. da imagem: XOS3247778

Crédito: Bridgeman/ Fotoarena

Detail of left panel showing Paradise, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3247780

Crédito: Bridgeman/ Fotoarena

Detail of left panel showing God presenting Eve to Adam in Paradise, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3247785

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Detail of central panel, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel), Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3247797

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Detail of right panel showing Hell, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3247800

Crédito: Bridgeman/ Fotoarena

Left panel showing God presenting Eve to Adam in Paradise, Bosch, Hieronymus (c.1450-1516), Prado, Madrid, Spain, oil on panel, 1490, 220x390, The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3247805

Crédito: Bridgeman/ Fotoarena

Took place 30 June 1680 in the Plaza Mayor, presided over by the young King Charles II and his mother, Mariana of Austria, shown here beneath a canopy as the prisoners are led out. Organised by the Inquisition, autos-da-fé were public ceremonies involving prisoners condemned for crimes against religion., Rizi or Ricci, Francisco (1608-85), Prado, Madrid, Spain, oil on canvas, 1683, 277x438, Auto de Fe in the Plaza Mayor, Madrid, 1683 (oil on canvas), Rizi or Ricci, Francisco (1608-85) / Prado, Madrid, Spain / Bridgeman Images

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Cod. da imagem: XOS3247812

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The Baptism of Christ, c.1567 (oil on panel), Fernandez de Navarrete, Juan (1526-79) / Prado, Madrid, Spain / Bridgeman Images

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The Cardinals, apse, c.1290 (mosaic)

Cod. da imagem: PC3325916
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: PC3325916

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The Cardinals, apse, c.1290 (mosaic), Torriti, Jacopo (fl.1287-92) / Santa Maria Maggiore, Rome, Italy / Bridgeman Images

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Cod. da imagem: CH3326244

Crédito: Bridgeman/ Fotoarena

Designed as a cluster of three openwork currant leaves set throughout with old mine diamonds, centering upon a larger cushion-shaped-mine diamond and suspending three detachable articulated pampilles, each composed of graduated old mine diamond collets to the drop-shaped aiguillette terminals, mounted in silver and gold. Worn by Empress Eugenie, Bapst, Alfred (19th century), Private Collection, diamonds, silver and gold, 1855, 'Feuilles de Groseillier' brooch, c.1855 (diamonds, silver & gold), Bapst, Alfred (19th century) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3326249

Crédito: Bridgeman/ Fotoarena

The rectangular box decorated with carved ivory panels depicting cherubic and floral motifs, applied with gold and enamel in floral designs enhanced with cabochon rubies, sapphires and amethysts, opening to reveal three graduated compartments, each with ivory openwork panels Signed Boucheron, no. 351 This unique desk ornament was created the year Frédéric Boucheron (1830-1902) moved to Place Vendôme, in 1893. After an apprenticeship with Jules Chaise and the opening of its first premises at the Palais Royal, Frédéric Boucheron was the first jeweller to settle on the famous Parisian square. He had already acquired fame as an expert in precious stones, a masterful technician and creator of beautiful jewels, winning the gold medal during the 'Exposition Universelle' in 1867. He worked for Boucheron as a jeweller between 1887 and 1920 creating objects such as inkstands, bottles, watches and boxes. His name was one of the select group of principal Boucheron jewellers chosen by Frédéric Boucheron to be featured at the 'Exposition Universelle' in Paris in 1900. This rare box displays Le Saché's unique and impressive skills in carving. The craftsmanship on this box is in ivory, however, his skills were versatile and he is known to have produced impressive carved items in other materials such as tortoiseshell and rock crystal. Objects by Le Saché also appear in the Tiffany collection and the firm thought so highly of the jeweller that they commissioned him to produce a brooch to commemorate the centenary of the United States' acquisition of Louisiana from Napoleon I., Sache, Georges le (b.1849), Private Collection, ivory, gold, enamel, rubies, sapphires and amethysts, 1893, 26x15x5, Rare bank note holder for Boucheron, 1893 (ivory, gold, enamel, rubies, sapphires & amethysts), Sache, Georges le (b.1849) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3326251

Crédito: Bridgeman/ Fotoarena

The rectangular box decorated with carved ivory panels depicting cherubic and floral motifs, applied with gold and enamel in floral designs enhanced with cabochon rubies, sapphires and amethysts, opening to reveal three graduated compartments, each with ivory openwork panels Signed Boucheron, no. 351 This unique desk ornament was created the year Frédéric Boucheron (1830-1902) moved to Place Vendôme, in 1893. After an apprenticeship with Jules Chaise and the opening of its first premises at the Palais Royal, Frédéric Boucheron was the first jeweller to settle on the famous Parisian square. He had already acquired fame as an expert in precious stones, a masterful technician and creator of beautiful jewels, winning the gold medal during the 'Exposition Universelle' in 1867. He worked for Boucheron as a jeweller between 1887 and 1920 creating objects such as inkstands, bottles, watches and boxes. His name was one of the select group of principal Boucheron jewellers chosen by Frédéric Boucheron to be featured at the 'Exposition Universelle' in Paris in 1900. This rare box displays Le Saché's unique and impressive skills in carving. The craftsmanship on this box is in ivory, however, his skills were versatile and he is known to have produced impressive carved items in other materials such as tortoiseshell and rock crystal. Objects by Le Saché also appear in the Tiffany collection and the firm thought so highly of the jeweller that they commissioned him to produce a brooch to commemorate the centenary of the United States' acquisition of Louisiana from Napoleon I., Sache, Georges le (b.1849), Private Collection, ivory, gold, enamel, rubies, sapphires and amethysts, 1893, 26x15x5, Rare bank note holder for Boucheron, 1893 (ivory, gold, enamel, rubies, sapphires & amethysts), Sache, Georges le (b.1849) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3326263

Crédito: Bridgeman/ Fotoarena

Designed as a cluster of three openwork currant leaves set throughout with old mine diamonds, centering upon a larger cushion-shaped-mine diamond and suspending three detachable articulated pampilles, each composed of graduated old mine diamond collets to the drop-shaped aiguillette terminals, mounted in silver and gold. Worn by Empress Eugenie, Bapst, Alfred (19th century), Private Collection, diamonds, silver and gold, 1855, 'Feuilles de Groseillier' brooch, c.1855 (diamonds, silver & gold), Bapst, Alfred (19th century) / Private Collection / Photo © Christie's Images / Bridgeman Images

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